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Alla Boara's Italian Christmas at Trinity Cathedral

Courtesy John Chacona
Alla Boara, brought the bright sun of the Mezzogiorno to the bleak midwinter of the Great Lakes.
Trinity Cathedral
Cleveland, OH
December 6, 2024
Here in North America most of our Christmas traditions have origins in northern Europe. So the notion of an Italian Christmas might be hard to visualize. Santa filling stockings while eating biscotti and gulping down an espresso then merrily riding off on a Vespa? Well, why not? If the season is about keeping spirits bright, Alla Boara, brought the sun of the Mezzogiorno to the bleak midwinter of the Great Lakes.
The band was formed in Cleveland three years ago on the novel premise of setting the demotic music of pre-industrial Italy in jazz arrangements. That was the source of the Christmas program, though some of the material, like the two charming pastorales that began the program, had little to do with the season. "Tu Scendi Dalle Stelle," the evening's first singalong, is an popular Italian Christmas song that praises the divine poverty of the Christ child. As the evening progressed, poverty would emerge as a throughline; both "Maitinata" from Abruzzo and the Calabrian "Che bera Sta Figghiola" were originally sung by the alms seekers who wandered villages during holidays.
With the latter the Alla Boara playbook emerged in miniature, with
Amanda Powell
vocalsIan Kinnaman
bassTommy Lehman
trumpet"Sogna Fiore Mio" is a meltingly lovely song recorded in the Griko-speaking villages of Calabria by folklorist

Alan Lomax
producer1915 - 2002

Daniel Bruce
guitarb.1976
But Christmas arrived in all its glory with a medley that gathered all the threads of the Alla Boara project into a shining tapestry of sound, the high point of the concert. It began with a reverent reading of "Gesù Bambino," composed in New York by the Italian-born Pietro Yon, floated by Powell's pure, silvery soprano. Yon based the melody and lyrics of the chorus on the chorus of "Oh Come All Ye Faithful," the refrain of which, in Latin, is "Venite adoremus" ("Oh come let is adore him"). One of Lomax's most haunting field recordings captured the sound of a priest intoning those very words in a ruined Abruzzese church in 1954. As Powell's voice evaporated into the Trinity's vaulted expanse, Taddeo launched Lomax's recording as Lehman's trumpet echoed and commented in counterpoint with the sung Latin like a cantor. Powell took a seat at the piano, pounding out churchy block chords for a singalong in English of the beloved carol, and when she was joined by the cathedral's thundering pipe organ, played by Shiloh Roby, it was a lump-in-the-throat moment.
Coming after this high-church majesty, the concluding singalong of "Silent Night" should have been an anticlimax, but as Powell explained, the Italian lyrics with which she began the performance, have little to do with the ones we Anglophones know. And they are lovely, a wish for a better world. "You who have been announced by angelic voices/give light to our minds/And instill peace in our hearts." It was a message, urgently needed, that transcends language.
Tags
Live Review
John Chacona
Two for the Show Media
United States
Ohio
Cleveland
Amanda Powell
Ian Kinnaman
Tommy Lehman
Alan Lomax
Daniel Bruce
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