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		Jazz Articles » Live Review » Palm Jazz 2021: Nils Petter Molv?r & Wac?aw Zimpel	

      

                
      
            
      
                                												
				            
      
        
      
        		
      
        	Palm Jazz 2021: Nils Petter Molv?r & Wac?aw Zimpel        
      
                    
      
                Palm Jazz 2021: Nils Petter Molvær & Wac?aw Zimpel
                                    
      
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                        									The Nils Petter Molv?r Quartet
       Jazovia Cultural Centre
       Gliwice, Poland
       October 10, 2021 

      Gliwice is in the south of Poland, not far from Katowice, or even Kraków. It has its own jazz festival, which usually spreads over several weeks, featuring two concerts each evening, in the dedicated Rynek market square venue Jazovia. This upstairs theatre has a capacity of 200, so intimate conditions prevail. Palm Jazz was founded by the pianist and entrepreneur Krzysztof Kobylinski, and its 12th edition featured Marcin Wasilewski
      Marcin Wasilewski
      piano
      b.1975
      "
data-original-title="" title="">Marcin Wasilewski, Dave Douglas
      Dave Douglas
      trumpet
      b.1963
      "
data-original-title="" title="">Dave Douglas and Trygve Seim
      Trygve Seim
      saxophone
      "
data-original-title="" title="">Trygve Seim      , amongst many more artists. 

      Your scribe hit Palm straight after the Jazz Juniors festival in Kraków, catching two excellent sets in a single evening. The Nils Petter Molvaer
      Nils Petter Molvaer
      trumpet
      b.1960
      "
data-original-title="" title="">Nils Petter Molvaer       Quartet had the Norwegian trumpeter leading 
      Geir Sundstol
      "
data-original-title="" title="">Geir Sundstol       (guitar), 
      Jo Berger Myhre
      bass
      "
data-original-title="" title="">Jo Berger Myhre       (bass) and Erland Dahlen
      Erland Dahlen
      drums
      b.1971
      "
data-original-title="" title="">Erland Dahlen       (drums), the latter displaying his customised kit of conical cowbells, big bells, tiny gongs and shakers. Molv?r used his laptop to sculpt outwards from his horn root, while the stringsmen also employed an array of pedals in this electroacoustic panorama. They opened sensitively, with Dahlen chiming soft bell-tones, Myhre bowing his electric bass, as the leader's frosted trumpet notes splintered into delicate needles. Ribbons of sonic thought fluttered outwards, with Sundst?l adding gentle slide guitar, magical forces congealing. Dahlen flicked brushes, but he soon graduated to a heavy tread, as the darkening textures ink-pooled inwards. Swirling landscapes were evoked in this steamcloud march, then Sundst?l set off a guitar eruption, and Molv?r spurted his own molten froth, as the guitars churned powerfully. Sometimes, Myhre switched from bass to guitar, increasing the texturing layers. 

      The second number began with a sense of slumber, heading up to an eventual crescendo, and the third followed a similar strategy, building then exploding, making a heavy grind that was veined with tiny details. Unusually, an Ennio Morricone
      Ennio Morricone
      composer / conductor
      1928 - 2020
      "
data-original-title="" title="">Ennio Morricone       character emerged. The quartet utilises a great sonic diversity, as well as traversing zones that begin with hushed minimalism and end with an almost headbanging intensity. There were also streaks of Jon Hassell
      Jon Hassell
      trumpet
      b.1937
      "
data-original-title="" title="">Jon Hassell       and Nana Vasconcelos
      Nana Vasconcelos
      percussion
      1944 - 2016
      "
data-original-title="" title="">Nana Vasconcelos       during the quieter stretches. When the rock encroached, Sundst?l could navigate from high volume blues bottleneck towards an Indian classical fluidity. A marriage of electro-beats and Dahlen's slap-rock lightness of touch typified this blend of toughness and sensitivity, before another speeding autobahn chase emerged. 

      Wac?aw Zimpel
       Jazovia Cultural Centre
       Gliwice, Poland
       October 10, 2021 

      Waclaw Zimpel
      Waclaw Zimpel
      clarinet, bass
      b.1983
      "
data-original-title="" title="">Waclaw Zimpel       has become one of Poland's most internationally-known players, on the jazz, improvisation and electronica scenes. His solo performance operates on a maximal level, sprouting from a clarinet of normal size, but with a curved bell. He fed his output into a laptop-sieving spread of electronic effects, making use of a layering repetition, although not really sounding too close to the classic minimalist template. Whorls sent out curving drones, in a spreading infestation of the space. Zimpel's bass cascades increased, becoming almost chaotic, sculpted on the run. Reed resonances were magnified, but there was a stretch where he laid his horn down, concentrating on the manipulation of its spiralling matter, given life after breath. Tones swooped, pulses operated on altered levels, then an aggressive oscillation signalled the return of Zimpel's clarinet. Solo yowls faded and he turned his attention to a small lap-guitar, to the side of his computer, playing faintly with a glass, suggesting a mood of Terry Riley
      Terry Riley
      composer / conductor
      b.1935
      "
data-original-title="" title="">Terry Riley       cord-squiggling. 

      In their differing ways, both of these Sunday sets explored the intersection between acoustic sources and electronic transformations, with mediation manifested either as tranquillity or storminess. Surface texture was always paramount, as calmness bloomed into a focused criss-crossing of intensifications. 			
                    

        
        
		
        
		
		
		
					
      
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									Live Review
									Martin Longley
									Poland
									Krakow
									Marcin Wasilewski
									Dave Douglas
									Trygve Seim
									Nils Petter Molv?r
									Geir Sundst?l
									Jo Berger Myhre
									Erland Dahlen
									Ennio Morricone
									Jon Hassell
									Nana Vasconcelos
									Wac?aw Zimpel
									Terry Riley
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‘Oh, that,’ she said. ‘Dear Julia; I hope we shall be great friends again, when I come back from Brighton. I shall be very glad to, I am sure.’ "His captain asked him what he had to say for himself to escape punishment, and the man replied that it was unreasonable to expect all the cardinal virtues for thirteen dollars a month. The captain told him the excuse was sufficient for that time, but would not do for a repetition of the offence."  "Pat who--oh? I tell you, my covey,--and of course, you understand, I wouldn't breathe it any further--"  We have seen how Carneades, alike in his theory of probability and in his ethical eclecticism, had departed from the extreme sceptical standpoint. His successor, Clitomachus, was content with committing the doctrines of the master to writing. A further step was taken by the next Scholarch, Philo, who is known as the Larissaean, in order to distinguish him from his more celebrated namesake, the Alexandrian Jew. This philosopher asserted that the negations of the New Academy were not to be taken as a profession of absolute scepticism, but merely as a criticism on the untenable pretensions of the Stoa. His own position was that, as a matter of fact, we have some certain knowledge of the external world, but that no logical account can be given of the process by which it is obtained—we can only say that such an assurance has been naturally stamped on our minds.254 This is the theory of intuitions or innate ideas, still held by many persons; and, as such, it marks a return to pure Platonism, having been evidently suggested by the semi-mythological fancies of the161 Meno and the Phaedrus. With Philo as with those Scotch professors who long afterwards took up substantially the same position, the leading motive was a practical one, the necessity of placing morality on some stronger ground than that of mere probability. Neither he nor his imitators saw that if ethical principles are self-evident, they need no objective support; if they are derivative and contingent, they cannot impart to metaphysics a certainty which they do not independently possess. The return to the old Academic standpoint was completed by a much more vigorous thinker than Philo, his pupil, opponent, and eventual successor, Antiochus. So far from attempting any compromise with the Sceptics, this philosopher openly declared that they had led the school away from its true traditions; and claimed for his own teaching the merit of reproducing the original doctrine of Plato.255 In reality, he was, as Zeller has shown, an eclectic.256 It is by arguments borrowed from Stoicism that he vindicates the certainty of human knowledge. Pushing the practical postulate to its logical conclusion, he maintains, not only that we are in possession of the truth, but also—what Philo had denied—that true beliefs bear on their face the evidence by which they are distinguished from illusions. Admitting that the senses are liable to error, he asserts the possibility of rectifying their mistakes, and of reasoning from a subjective impression to its objective cause. The Sceptical negation of truth he meets with the familiar argument that it is suicidal, for to be convinced that there can be no conviction is a contradiction in terms; while to argue that truth is indistinguishable from falsehood implies an illogical confidence in the validity of logical processes; besides involving the assumption that there are false appearances and that they are known to us as such, which would be impossible unless we were in a position to compare them with the corresponding162 truths.257 For his own part, Antiochus adopted without alteration the empirical theory of Chrysippus, according to which knowledge is elaborated by reflection out of the materials supplied by sense. His physics were also those of Stoicism with a slight Peripatetic admixture, but without any modification of their purely materialistic character. In ethics he remained truer to the Academic tradition, refusing to follow the Stoics in their absolute isolation of virtue from vice, and of happiness from external circumstances, involving as it did the equality of all transgressions and the worthlessness of worldly goods. But the disciples of the Porch had made such large concessions to common sense by their theories of preference and of progress, that even here there was very little left to distinguish his teaching from theirs.258 After she had done that she stood hesitating for just a moment before she threw off all restraint with a toss of her head, and strapped about her waist a leather belt from which there hung a bowie knife and her pistol in its holster. Then slipping on her moccasins, she glided into the darkness. She took the way in the rear of the quarters, skirting the post and making with swift, soundless tread for the river. Her eyes gleamed from under her straight, black brows as she peered about her in quick, darting glances. George II. was born in 1683, and was, consequently, in his forty-fourth year when he ascended the throne. In 1705 he married the Princess Caroline Wilhelmina of Anspach, who was born in the year before himself, by whom he had now four children—Frederick Prince of Wales, born in 1707, William Duke of Cumberland, born in 1721, and two daughters. On the 13th of February the Opposition in the Commons brought on the question of the validity of general warrants. The debate continued all that day and the next night till seven o'clock in the morning. The motion was thrown out; but Sir William Meredith immediately made another, that a general warrant for apprehending the authors, printers, and publishers of a seditious libel is not warranted by law. The combat was renewed, and Pitt made a tremendous speech, declaring that if the House resisted Sir William Meredith's motion, they would be the disgrace of the present age, and the reproach of posterity. He upbraided Ministers with taking mean and petty vengeance on those who did not agree with them, by dismissing them from office. This charge Grenville had the effrontery to deny, though it was a notorious fact. As the debate approached its close, the Ministers called in every possible vote; "the sick, the lame were hurried into the House, so that," says Horace Walpole, "you would have thought they had sent a search warrant into every hospital for Members of Parliament." When the division came, which was only for the adjournment of Meredith's motion for a month, they only carried it by fourteen votes. In the City there was a confident anticipation of the defeat of Ministers, and materials had been got together for bonfires all over London, and for illuminating the Monument. Temple was said to have faggots ready for bonfires of his own. "No, you don't," answered Shorty. "I'm to be the non-commish of this crowd. A Lieutenant'll go along for style, but I'll run the thing."  "Si Klegg, be careful how you call me a liar," answered the Orderly. "I'll—" "Then there is nothing to be done?" Dward asked.  "I'll have a good grain growing there in five year—d?an't you go doubting it. The ground wants working, that's all. And as fur not wanting the farm no bigger, that wur f?ather's idea—Odiam's mine now." At last the gods, who are more open-handed than ungrateful people suppose, took pity on the rivals, and gave them something to fight about. The pretext was in itself trivial, but when the gunpowder is laid nothing bigger than a match is needed. This particular pretext was a barrow of roots which had been ordered from Kitchenhour by Reuben and sent by mistake to Grandturzel. Realf's shepherd, not seeing any cause for doubt, gave the roots as winter fodder to his ewes, and said nothing about them. When Reuben tramped over to Kitchenhour and asked furiously why his roots had never been sent, the mistake was discovered. He came home by Grandturzel, and found his precious roots, all thrown out on the fields, being nibbled by Realf's ewes.   "It is false!" he replied, "no human law have I violated, and to no man's capricious tyranny will I submit." HoME欧美国一级视频直播
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