All About Jazz presents curated radio programs and podcasts daily and our current programs are featured in the RADIO & PODCASTS section on the home page. You can view our entire archive of shows from the radio and podcast landing page or by clicking EXPLORE (top left).
If you have a jazz radio program or podcast and would like to join the All About Jazz network, review this page and if your show is a good fit, contact Michael Ricci.
Weekly Schedule
Monday
A Broad Spectrum with Mary Foster Conklin One Man's Jazz with Maurice Hogue Situation Fluxus with Cheryl K. The First Instrument Jazz Show with Jua Howard
Tuesday
Exploration with David W. Daniels Jazz Crumbs with Marek J. ?mietański Mondo Jazz with Ludovico Granvassu Songs & Stories with Steven Roby
Wednesday
Allston Boylston with Hobart Taylor Ben Boddie On Jazz with Benjamin Boddie The Outer View with Jerome Wilson
Thursday
Jazz Bastard with Patrick Burnette The Jazz Continuum with David Brown The Jazz Disturbance with Cheryl K. The Third Story with Leo Sidran World of Jazz with Bob Osborne
Friday
Bitches Brew with Len Davis inJazz Radio with Co de Kloet Jazz Connections with Larry Slater Jazz First with Tony Poole Jazz Odyssey with Andy Crowther
Saturday
Jazz On The Tyne with Colin Muirhead Mondo Jazz with Ludovico Granvassu Spotlight On with Lawrence Peryer Strictly Jazz Sounds with Stephen Braunginn Talk About Jazz with Doug Hall
Sunday
Bitches Brew with Len Davis Caminhos Do Jazz with Katchie Cartwright Liner Notes with David Bixler Neon Jazz with Joe Dimino
My weekly radio show on WFDU 89.1 FM highlighting music and lyrics by women broadcasts live every Sunday from 3PM to 7PM streaming on their HD2 channel, Jazz and What's More. A Broad Spectrum offers up an assortment of music by Women Who Inspire -... read more
The Allston Boylston Show, hosted by Hobart Taylor, is available on both Mixcloud and Soundcloud. I highlight new releases featuring Jazz and music with Jazz sensibilities from any genre. I focus on presenting outstanding neglected artists as well... read more
Ben Boddie On Jazz is dedicated to the preservation and the promotion of jazz. While recognizing the genius and contributions of Jazz Masters, we are equally dedicated to supporting the achievements of musicians who are keeping the music alive... read more
In 1969, Miles Davis turned jazz on its head. Bitches Brew was a groundbreaking album that added new sounds to jazz, making everyone take notice. Miles introduced rock sounds as well as many electronic instruments.
My program is inspired... read more
Caminhos do Jazz is a San Antonio-based weekly radio show that features world jazz and Brazilian mixtures, sounds from South Central Texas and beyond our borders. The program airs live Saturday mornings at 10 AM Central on Trinity University's... read more
We are a group of DJs/show hosts for whom "music is the message". The core group are former (traditional) jazz hosts at an Atlanta radio station who have decided we want to keep the music alive through Mixcloud. Joining us are experts in blues,... read more
In cooperation with Buma Cultuur and inJazz, Dutch music producer, composer, musician and (radio)-presenter/voice-over Co de Kloet produces the jazz, world & beyond radio show inJazz Radio, a multiple platform project. Besides regular editions,... read more
Let's talk about jazz! There are lots of podcasts that offer playlists of jazz, but fewer which discuss the music in depth. The goal here is to have a causal but thorough conversation about jazz albums—something more along the lines of chatting... read more
A retired family physician, I've had a decades long passion for jazz and jazz history.
Jazz Connections are a series of one hour thematic shows that highlight the history of jazz, from jazz... read more
"Jazz crumbs" is the first jazz broadcast on the Polish internet radio station Bemowo FM (Warsaw).
I can reach for the tracks of artists who were born at the beginning of the 20th century, as well as those who started their careers in the 21st... read more
I am a former BBC jazz presenter and promotor. I hosted Jazz First on BBC Essex for five years. Chances are, if you were a crate digger during the 90’s and a visitor to recored fairs, you bought some rare jazz vinyl from me aka ViRGO ViBES.
I... read more
Jazz on the Tyne: the Mixcloud podcast that brings you the best in jazz from North East England and beyond. Presenter Colin Muirhead plays music by artists performing locally, showcases new releases, and chats with musicians from North East England... read more
A few years ago, in a conversation with a colleague of mine after a gig, we realized that our generation gleaned much of our knowledge of the history of jazz music from reading the liner notes off the backs of LPs. Today my students have fluid... read more
Mondo Jazz is dedicated to the proposition that Jazz is a language that originated in the United States but is now spoken all over the world in various, at times very strong, accents, which make it a rich resource for rewarding sonic explorations.... read more
Neon Jazz is a radio show and interview series created and distributed since 2011. Hatched & Hosted by Joe Dimino out of Kansas City, Missouri. The series has been Engineered and generously supported by John Christopher over thirteen years, with... read more
One Man's Jazz has been in existence since 1999. I had always wanted to try my hand at doing radio because I loved jazz, had too many records, was active in it as a performer, and I was working as an artist representative and manager for primarily... read more
Cheryl K. Symister-Masterson is an independent print and broadcast journalist, involved in both media for
over thirty years. In 2007, she moved to New York and four years later, joined WGXC 90.7 FM and
began hosting "The Jazz Disturbance", a... read more
Creative people drive our culture. Host Lawrence Peryer has revealing talks with the people shaping the past, present, and future of culture, media, and entertainment. Hear discussions with musicians, writers, thinkers, pioneers, innovators and... read more
Strictly Jazz Sounds(SJS) features the finest legacy and contemporary jazz musicians and beyond. Every episode will feature an in-depth interview with current jazz musicians and their music, or jazz music producers, music critics and writers and... read more
Talk About Jazz With Doug Hall is a 30 minute interview format with a guest jazz musician in studio or remotely, which includes 2 snippets of 2 compositions played during interview for discussion. The Belmont Media Center is the hosting media... read more
Starting in April 2021, I had an opportunity to bring a dream of mine to life...to host a radio show. As a result, The First Instrument Jazz Show was created and had its first home on Taintradio. Being a jazz vocalist myself, I thought it was... read more
Welcome friends and neighbors to The Jazz Continuum. Old, new, in, out...wherever the music takes us. Each week, we will explore the elements of jazz from a historical perspective. Airing Saturday’s 6-8pm live on G-Town Radio, 92.9 FM... read more
Cheryl K. Symister-Masterson is an independent print and broadcast journalist, involved in both media for over thirty years. In 2007, she moved to New York and four years later, joined WGXC 90.7 FM and began hosting “The Jazz Disturbance,” a... read more
The Outer View is a radio show dedicated to exploring all the facets of modern jazz as it is played all over the world in a time span ranging from the bebop era up to the present. I often spend a show dealing with one particular theme. Sometimes I... read more
The Third Story podcast features long-form interviews with creative people of all types, hosted by me, Leo Sidran. Their stories of discovery, loss, ambition, identity, improvisation, risk, and reward are deeply moving and compelling for all of us... read more
World of Jazz is a weekly two hour radio show dedicated to covering the best in new releases with the aim of being as international as possible and demonstrating that jazz is truly global. There are no genre barriers to what gets featured on the... read more
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‘Oh, that,’ she said. ‘Dear Julia; I hope we shall be great friends again, when I come back from Brighton. I shall be very glad to, I am sure.’ "His captain asked him what he had to say for himself to escape punishment, and the man replied that it was unreasonable to expect all the cardinal virtues for thirteen dollars a month. The captain told him the excuse was sufficient for that time, but would not do for a repetition of the offence." "Pat who--oh? I tell you, my covey,--and of course, you understand, I wouldn't breathe it any further--" We have seen how Carneades, alike in his theory of probability and in his ethical eclecticism, had departed from the extreme sceptical standpoint. His successor, Clitomachus, was content with committing the doctrines of the master to writing. A further step was taken by the next Scholarch, Philo, who is known as the Larissaean, in order to distinguish him from his more celebrated namesake, the Alexandrian Jew. This philosopher asserted that the negations of the New Academy were not to be taken as a profession of absolute scepticism, but merely as a criticism on the untenable pretensions of the Stoa. His own position was that, as a matter of fact, we have some certain knowledge of the external world, but that no logical account can be given of the process by which it is obtained—we can only say that such an assurance has been naturally stamped on our minds.254 This is the theory of intuitions or innate ideas, still held by many persons; and, as such, it marks a return to pure Platonism, having been evidently suggested by the semi-mythological fancies of the161 Meno and the Phaedrus. With Philo as with those Scotch professors who long afterwards took up substantially the same position, the leading motive was a practical one, the necessity of placing morality on some stronger ground than that of mere probability. Neither he nor his imitators saw that if ethical principles are self-evident, they need no objective support; if they are derivative and contingent, they cannot impart to metaphysics a certainty which they do not independently possess. The return to the old Academic standpoint was completed by a much more vigorous thinker than Philo, his pupil, opponent, and eventual successor, Antiochus. So far from attempting any compromise with the Sceptics, this philosopher openly declared that they had led the school away from its true traditions; and claimed for his own teaching the merit of reproducing the original doctrine of Plato.255 In reality, he was, as Zeller has shown, an eclectic.256 It is by arguments borrowed from Stoicism that he vindicates the certainty of human knowledge. Pushing the practical postulate to its logical conclusion, he maintains, not only that we are in possession of the truth, but also—what Philo had denied—that true beliefs bear on their face the evidence by which they are distinguished from illusions. Admitting that the senses are liable to error, he asserts the possibility of rectifying their mistakes, and of reasoning from a subjective impression to its objective cause. The Sceptical negation of truth he meets with the familiar argument that it is suicidal, for to be convinced that there can be no conviction is a contradiction in terms; while to argue that truth is indistinguishable from falsehood implies an illogical confidence in the validity of logical processes; besides involving the assumption that there are false appearances and that they are known to us as such, which would be impossible unless we were in a position to compare them with the corresponding162 truths.257 For his own part, Antiochus adopted without alteration the empirical theory of Chrysippus, according to which knowledge is elaborated by reflection out of the materials supplied by sense. His physics were also those of Stoicism with a slight Peripatetic admixture, but without any modification of their purely materialistic character. In ethics he remained truer to the Academic tradition, refusing to follow the Stoics in their absolute isolation of virtue from vice, and of happiness from external circumstances, involving as it did the equality of all transgressions and the worthlessness of worldly goods. But the disciples of the Porch had made such large concessions to common sense by their theories of preference and of progress, that even here there was very little left to distinguish his teaching from theirs.258 After she had done that she stood hesitating for just a moment before she threw off all restraint with a toss of her head, and strapped about her waist a leather belt from which there hung a bowie knife and her pistol in its holster. Then slipping on her moccasins, she glided into the darkness. She took the way in the rear of the quarters, skirting the post and making with swift, soundless tread for the river. Her eyes gleamed from under her straight, black brows as she peered about her in quick, darting glances. George II. was born in 1683, and was, consequently, in his forty-fourth year when he ascended the throne. In 1705 he married the Princess Caroline Wilhelmina of Anspach, who was born in the year before himself, by whom he had now four children—Frederick Prince of Wales, born in 1707, William Duke of Cumberland, born in 1721, and two daughters. On the 13th of February the Opposition in the Commons brought on the question of the validity of general warrants. The debate continued all that day and the next night till seven o'clock in the morning. The motion was thrown out; but Sir William Meredith immediately made another, that a general warrant for apprehending the authors, printers, and publishers of a seditious libel is not warranted by law. The combat was renewed, and Pitt made a tremendous speech, declaring that if the House resisted Sir William Meredith's motion, they would be the disgrace of the present age, and the reproach of posterity. He upbraided Ministers with taking mean and petty vengeance on those who did not agree with them, by dismissing them from office. This charge Grenville had the effrontery to deny, though it was a notorious fact. As the debate approached its close, the Ministers called in every possible vote; "the sick, the lame were hurried into the House, so that," says Horace Walpole, "you would have thought they had sent a search warrant into every hospital for Members of Parliament." When the division came, which was only for the adjournment of Meredith's motion for a month, they only carried it by fourteen votes. In the City there was a confident anticipation of the defeat of Ministers, and materials had been got together for bonfires all over London, and for illuminating the Monument. Temple was said to have faggots ready for bonfires of his own. "No, you don't," answered Shorty. "I'm to be the non-commish of this crowd. A Lieutenant'll go along for style, but I'll run the thing." "Si Klegg, be careful how you call me a liar," answered the Orderly. "I'll—" "Then there is nothing to be done?" Dward asked. "I'll have a good grain growing there in five year—d?an't you go doubting it. The ground wants working, that's all. And as fur not wanting the farm no bigger, that wur f?ather's idea—Odiam's mine now." At last the gods, who are more open-handed than ungrateful people suppose, took pity on the rivals, and gave them something to fight about. The pretext was in itself trivial, but when the gunpowder is laid nothing bigger than a match is needed. This particular pretext was a barrow of roots which had been ordered from Kitchenhour by Reuben and sent by mistake to Grandturzel. Realf's shepherd, not seeing any cause for doubt, gave the roots as winter fodder to his ewes, and said nothing about them. When Reuben tramped over to Kitchenhour and asked furiously why his roots had never been sent, the mistake was discovered. He came home by Grandturzel, and found his precious roots, all thrown out on the fields, being nibbled by Realf's ewes. "It is false!" he replied, "no human law have I violated, and to no man's capricious tyranny will I submit." HoME欧美国一级视频直播
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