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		Jazz Articles » Album Review » Julian Siegel Quartet: Vista	

      

                
      
            
      
                                												
								
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        	Julian Siegel Quartet: Vista        
      
                
      
            				
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                    Julian Siegel Quartet: Vista
					
                    
                
      
                        									Julian Siegel is an in-demand and award-winning British saxophonist who teaches saxophone in the jazz department of London's Royal Academy of Music. This is his Quartet's follow-up to their London Jazz award-winning album Urban Theme Park (Basho Records). Although Siegel is no stranger to Whirlwind Recordings in his role as a member of Partisans who released Swamp on the label in 2014, this is his first album for Whirlwind as leader. 

      "The Opener" with its memorable head achieves that all-too-rare combination of angularity with warmth (a pleasing tendency that's continued throughout the recording) and the seductive mood continues with "I Want To Go To Brazil" which whilst not a samba still elicits some Latin leanings if only in its subliminal nod to the great fellow tenorist Stan Getz
      Stan Getz
      saxophone, tenor
      1927 - 1991
      "
data-original-title="" title="">Stan Getz. "Song" an elegant ballad with some deeply resonant double bass from Oli Hayhurst, is followed by the quirkier "Pastorale" with Siegel now on soprano vying for attention with Liam Noble's sprightly piano runs. 

      As its name suggests, the Bud Powell
      Bud Powell
      piano
      1924 - 1966
      "
data-original-title="" title="">Bud Powell tune "Un Poco Loco" is indeed a little crazy, benefitting from a multiplicity of interwoven rapid-fire themes but it gels together splendidly, with tenor and piano constantly exchanging fleeting lines. An ascending and descending vamp represents the overarching characteristic of "Vista" along with a keen rhythmic vibrancy. "Idea" sees Sigel on bass clarinet, a woefully underused and therefore always welcome instrument to hear anytime. Inevitably its use draws comparison with arch practitioner of the bass clarinet John Surman
      John Surman
      saxophone
      b.1944
      "
data-original-title="" title="">John Surman      , but Siegel has his own distinct voice and manages to keep what is sometimes regarded as a lugubrious instrument, light and airy. This album perfectly demonstrates how a quartet of seasoned musicians can successfully and seemingly effortlessly, produce an album of fresh ideas and catchy themes. 			
                    

                    
      
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      Track Listing
       
      The Opener ; I Want To Go To Brazil; Song; Pastorale; Un Poco Loco; Billion Years; 
Vista; Full Circle; The Goose; Idea; The Claw.
      
                						
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											Julian Siegel
									
      
			      
		
      
		
      
			
      Julian Siegel
      
			
			saxophone, tenor			
		
      
		
      
									
								
      
	
      

      

						
      
                
      Julian Siegel: tenor and soprano saxophone, bass clarinet; Liam Noble: piano; Oli 
Hayhurst: double bass; Gene Calderazzo: drums.
      
                
      Album information
      
                
      
                    Title: Vista

                                            | Year Released: 2018                    
                                            | Record Label: Whirlwind Recordings Ltd                                    
      

        
        
		
        
		
		
					
			
      
		
					
      
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					Julian Siegel
				
	
      
	
      About Julian Siegel	
      

			


	

      Instrument: Saxophone, tenor
      
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‘Oh, that,’ she said. ‘Dear Julia; I hope we shall be great friends again, when I come back from Brighton. I shall be very glad to, I am sure.’ "His captain asked him what he had to say for himself to escape punishment, and the man replied that it was unreasonable to expect all the cardinal virtues for thirteen dollars a month. The captain told him the excuse was sufficient for that time, but would not do for a repetition of the offence."  "Pat who--oh? I tell you, my covey,--and of course, you understand, I wouldn't breathe it any further--"  We have seen how Carneades, alike in his theory of probability and in his ethical eclecticism, had departed from the extreme sceptical standpoint. His successor, Clitomachus, was content with committing the doctrines of the master to writing. A further step was taken by the next Scholarch, Philo, who is known as the Larissaean, in order to distinguish him from his more celebrated namesake, the Alexandrian Jew. This philosopher asserted that the negations of the New Academy were not to be taken as a profession of absolute scepticism, but merely as a criticism on the untenable pretensions of the Stoa. His own position was that, as a matter of fact, we have some certain knowledge of the external world, but that no logical account can be given of the process by which it is obtained—we can only say that such an assurance has been naturally stamped on our minds.254 This is the theory of intuitions or innate ideas, still held by many persons; and, as such, it marks a return to pure Platonism, having been evidently suggested by the semi-mythological fancies of the161 Meno and the Phaedrus. With Philo as with those Scotch professors who long afterwards took up substantially the same position, the leading motive was a practical one, the necessity of placing morality on some stronger ground than that of mere probability. Neither he nor his imitators saw that if ethical principles are self-evident, they need no objective support; if they are derivative and contingent, they cannot impart to metaphysics a certainty which they do not independently possess. The return to the old Academic standpoint was completed by a much more vigorous thinker than Philo, his pupil, opponent, and eventual successor, Antiochus. So far from attempting any compromise with the Sceptics, this philosopher openly declared that they had led the school away from its true traditions; and claimed for his own teaching the merit of reproducing the original doctrine of Plato.255 In reality, he was, as Zeller has shown, an eclectic.256 It is by arguments borrowed from Stoicism that he vindicates the certainty of human knowledge. Pushing the practical postulate to its logical conclusion, he maintains, not only that we are in possession of the truth, but also—what Philo had denied—that true beliefs bear on their face the evidence by which they are distinguished from illusions. Admitting that the senses are liable to error, he asserts the possibility of rectifying their mistakes, and of reasoning from a subjective impression to its objective cause. The Sceptical negation of truth he meets with the familiar argument that it is suicidal, for to be convinced that there can be no conviction is a contradiction in terms; while to argue that truth is indistinguishable from falsehood implies an illogical confidence in the validity of logical processes; besides involving the assumption that there are false appearances and that they are known to us as such, which would be impossible unless we were in a position to compare them with the corresponding162 truths.257 For his own part, Antiochus adopted without alteration the empirical theory of Chrysippus, according to which knowledge is elaborated by reflection out of the materials supplied by sense. His physics were also those of Stoicism with a slight Peripatetic admixture, but without any modification of their purely materialistic character. In ethics he remained truer to the Academic tradition, refusing to follow the Stoics in their absolute isolation of virtue from vice, and of happiness from external circumstances, involving as it did the equality of all transgressions and the worthlessness of worldly goods. But the disciples of the Porch had made such large concessions to common sense by their theories of preference and of progress, that even here there was very little left to distinguish his teaching from theirs.258 After she had done that she stood hesitating for just a moment before she threw off all restraint with a toss of her head, and strapped about her waist a leather belt from which there hung a bowie knife and her pistol in its holster. Then slipping on her moccasins, she glided into the darkness. She took the way in the rear of the quarters, skirting the post and making with swift, soundless tread for the river. Her eyes gleamed from under her straight, black brows as she peered about her in quick, darting glances. George II. was born in 1683, and was, consequently, in his forty-fourth year when he ascended the throne. In 1705 he married the Princess Caroline Wilhelmina of Anspach, who was born in the year before himself, by whom he had now four children—Frederick Prince of Wales, born in 1707, William Duke of Cumberland, born in 1721, and two daughters. On the 13th of February the Opposition in the Commons brought on the question of the validity of general warrants. The debate continued all that day and the next night till seven o'clock in the morning. The motion was thrown out; but Sir William Meredith immediately made another, that a general warrant for apprehending the authors, printers, and publishers of a seditious libel is not warranted by law. The combat was renewed, and Pitt made a tremendous speech, declaring that if the House resisted Sir William Meredith's motion, they would be the disgrace of the present age, and the reproach of posterity. He upbraided Ministers with taking mean and petty vengeance on those who did not agree with them, by dismissing them from office. This charge Grenville had the effrontery to deny, though it was a notorious fact. As the debate approached its close, the Ministers called in every possible vote; "the sick, the lame were hurried into the House, so that," says Horace Walpole, "you would have thought they had sent a search warrant into every hospital for Members of Parliament." When the division came, which was only for the adjournment of Meredith's motion for a month, they only carried it by fourteen votes. In the City there was a confident anticipation of the defeat of Ministers, and materials had been got together for bonfires all over London, and for illuminating the Monument. Temple was said to have faggots ready for bonfires of his own. "No, you don't," answered Shorty. "I'm to be the non-commish of this crowd. A Lieutenant'll go along for style, but I'll run the thing."  "Si Klegg, be careful how you call me a liar," answered the Orderly. "I'll—" "Then there is nothing to be done?" Dward asked.  "I'll have a good grain growing there in five year—d?an't you go doubting it. The ground wants working, that's all. And as fur not wanting the farm no bigger, that wur f?ather's idea—Odiam's mine now." At last the gods, who are more open-handed than ungrateful people suppose, took pity on the rivals, and gave them something to fight about. The pretext was in itself trivial, but when the gunpowder is laid nothing bigger than a match is needed. This particular pretext was a barrow of roots which had been ordered from Kitchenhour by Reuben and sent by mistake to Grandturzel. Realf's shepherd, not seeing any cause for doubt, gave the roots as winter fodder to his ewes, and said nothing about them. When Reuben tramped over to Kitchenhour and asked furiously why his roots had never been sent, the mistake was discovered. He came home by Grandturzel, and found his precious roots, all thrown out on the fields, being nibbled by Realf's ewes.   "It is false!" he replied, "no human law have I violated, and to no man's capricious tyranny will I submit." HoME欧美国一级视频直播
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